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Can Music Therapy Help in a Crisis/Emergency Situation?

January 28th, 2011 · Music Healing, Music in the News!

This morning at the University of Louisville School of Music, a fascinating lecture was delivered by Barbara Else, a certified music therapist from Tucson, Arizona.  As a matter of fact, she was called in almost immediately after the shootings there just two weeks ago.

Here’s the story from our local news station:

LOUISVILLE, KY (WAVE) – We all have our own taste in music, but can those tunes actually be good for your health?

The physical healing continues for the victims in the tragedy earlier this month in Tucson; the emotional healing, however, can take much longer.

That’s where music can come to the rescue.

“When you’re struck with acute stress, everything’s happening both in the mind and the body and so we tap into that through music,” said Barbara Else, with the American Music Therapy Association.  She was called just hours after the Tucson shooting happened, to help those involved.

She shared her findings at U of L Friday.  Music Therapy is nothing new: it’s been around for more than 60-years, but it’s techniques have gained popularity in the past decade.

“We might be using music and music techniques to help with relaxation and anxiety, through long term recovery which is still going on with music therapists in the NYC area post 911,” Else said.

And if classical or easy-listening music doesn’t strike a chord with you, that’s perfectly fine she said.

“Depends on the individuals preferences and needs and wants and what’s available at the time, we use a lot of live music but not necessarily,” she said.

While it works better with a trained professional, Else says using your favorite music to ease and escape your problems from the comfort of your own couch is a good start.

Copyright 2011 WAVE News. All rights reserved.

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More Research on the power of music with Dental Surgery

January 24th, 2011 · Music and Dental Surgery, Music Research

J Oral Maxillofac Surg. 2010 Aug 11. [Epub ahead of print]

Musical Intervention Reduces Patients’ Anxiety in Surgical Extraction of an Impacted Mandibular Third Molar.

Kyoung Kim Y, Kim SM, Myoung H.

Primary Researcher.

Abstract

PURPOSE: Patients undergoing impacted mandibular third molar (IMTM) extraction often have severe perioperative anxiety, which may lead to increased perceptions of pain and vital sign instability throughout surgery. Intraoperational musical interventions have been used during operations to decrease patient anxiety levels. We investigated the anxiolytic effects of musical intervention during surgical extraction of an IMTM. We tested the hypothesis that musical intervention would have positive effects on patients’ vital signs, anxiety levels, and perceptions of pain.

PATIENTS AND METHODS: We recruited 219 patients with IMTM surgery to participate in this study. Participants were randomly assigned to a music-treated group (106 subjects) or a control group (113 subjects). In a preoperative meeting, patient demographic data were collected, and the patients’ favorite songs were selected. For the music-treated group, their selected music was played from the time of arrival to the operating room until the end of the operation. Perioperative anxiety and perceptions of pain were assessed using the Dental Anxiety Scale and the Visual Analog Scale, respectively. Patients’ vital signs (blood pressure, heart rate, and respiratory rate) were monitored throughout the surgery. One-way analysis of covariance using perioperative anxiety as a covariant was performed to compare intraoperative anxiety levels and perioperative perceptions of pain between the 2 groups. Repeated measures analysis of variance was used to compare changes in vital signs across surgical stages between the 2 groups.

RESULTS: Vital signs changed significantly throughout surgery according to the stage of the procedure. For both groups, vital signs increased from baseline and reached peak values at the time of the initial incision and then decreased quickly and plateaued within normal limits. There were no significant differences between groups in blood pressure; however, the music-treated group showed a significantly smaller change in heart rate than the control group. The music-treated group reported significantly less intraoperative anxiety than the nonmusic-treated control group when controlling for preoperative anxiety levels (F = 4.226, P < .05).

CONCLUSION: These results support the hypothesis that the use of patient-chosen music during surgical extraction of an IMTM significantly lowers patient intraoperative anxiety levels.

Copyright © 2010 American Association of Oral and Maxillofacial Surgeons. Published by Elsevier Inc. All rights reserved.

PMID: 20708320 [PubMed – as supplied by publisher]

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New Study Proves that Music has same effect on pleasure centers of brain as sex, falling in love, and chocolate

January 10th, 2011 · Music and the Brain, Music in the News!

Jan. 7, 2011 1:17 PM ET

New YORK (AP) — Whether it’s the Beatles or Beethoven, people like music for the same reason they like eating or having sex: It makes the brain release a chemical that gives pleasure, a new study says.

The brain substance is involved both in anticipating a particularly thrilling musical moment and in feeling the rush from it, researchers found.

Previous work had already suggested a role for dopamine, a substance brain cells release to communicate with each other. But the new work, which scanned people’s brains as they listened to music, shows it happening directly.

While dopamine normally helps us feel the pleasure of eating or having sex, it also helps produce euphoria from illegal drugs. It’s active in particular circuits of the brain.

The tie to dopamine helps explain why music is so widely popular across cultures, Robert Zatorre and Valorie Salimpoor of McGill University in Montreal write in an article posted online Sunday by the journal Nature Neuroscience.

The study used only instrumental music, showing that voices aren’t necessary to produce the dopamine response, Salimpoor said. It will take further work to study how voices might contribute to the pleasure effect, she said.

The researchers described brain-scanning experiments with eight volunteers who were chosen because they reliably felt chills from particular moments in some favorite pieces of music. That characteristic let the experimenters study how the brain handles both anticipation and arrival of a musical rush.

Results suggested that people who enjoy music but don’t feel chills are also experiencing dopamine’s effects, Zatorre said.

PET scans showed the participants’ brains pumped out more dopamine in a region called the striatum when listening to favorite pieces of music than when hearing other pieces. Functional MRI scans showed where and when those releases happened.

Dopamine surged in one part of the striatum during the 15 seconds leading up to a thrilling moment, and a different part when that musical highlight finally arrived.

Zatorre said that makes sense: The area linked to anticipation connects with parts of the brain involved with making predictions and responding to the environment, while the area reacting to the peak moment itself is linked to the brain’s limbic system, which is involved in emotion.

The study volunteers chose a wide range of music — from classical and jazz to punk, tango and even bagpipes. The most popular were Barber’s Adagio for Strings, the second movement of Beethoven’s Ninth Symphony and Debussy’s Claire de Lune.

Since they already knew the musical pieces they listened to, it wasn’t possible to tell whether the anticipation reaction came from memory or the natural feel people develop for how music unfolds, Zatorre said. That question is under study, too.

Dr. Gottfried Schlaug, an expert on music and the brain at Harvard Medical School, called the study “remarkable” for the combination of techniques it used.

While experts had indirect indications that music taps into the dopamine system, he said, the new work “really nails it.”

Music isn’t the only cultural experience that affects the brain’s reward circuitry. Other researchers recently showed a link when people studied artwork.

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Using Music to prevent Bed Sores in Nursing Homes?

January 1st, 2011 · Music and the Golden Years, Music in the Hospital, Music in the News!

I was thrilled to open my local newspaper this morning (the Louisville Courier-Journal) and find a major news story about how music is being used in Kentucky nursing homes to prompt the staff to re-position patients who are bed-ridden.  Enjoy!

Bedsores can be a serious problem for the elderly, but a University of Cincinnati study aims to curb them at Kentucky nursing homes with the help of music.

Every two hours, music plays over a loudspeaker, prompting caregivers to stop what they’re doing and make sure residents are re-positioned to keep bedsores from forming.

Researchers are partnering with Signature HealthCARE to conduct the study at 10 of the company’s Kentucky homes, including two in Louisville.

“We love it,” said Kelly Thompson, administrator of Signature HealthCARE of East Louisville, which is part of the study group. “They let you pick your music … and everybody knows it’s time for moving.”

“Repositioning people is not something new; what’s new is the prompt,” said Pam Larimore-Skinner, director of nursing at Signature HealthCARE of Trimble County in Bedford, Ky., which also is participating. “I think it makes people more conscious of the two hours because time can get away from you.”

Bedsores, also called pressure sores or pressure ulcers, are damaged areas of skin caused by staying in one position too long. People who are bedridden or use wheelchairs are at greater risk for these sores, which can lead to serious infections that can even be life-threatening. The problem is on the rise nationally.

Medical guidelines say patients should be moved at least every two hours. But nationally, “we know that the compliance of staff is frequently not what we want it to be,” said Elaine Miller, a UC nursing professor.

Researchers from the UC College of Nursing got a two-year, $300,000 grant from the Robert Wood Johnson Foundation to look at whether a simple audio reminder can prompt a nurse-led team to make sure patients move or get moved. The Cincinnati team competed with more than 100 other applicants for the funds.

In the study, four nursing homes used the program since the spring, while another four “comparison” homes were observed for months, then began using the program in November. Two others had problems with intercoms and have been used as comparisons throughout.

“The study involves the ambulatory residents, who can get up themselves, and the bedridden, who need to be turned with the assistance of staff,” said Assistant Professor Tracey Yap, principal investigator on the study. “The musical prompt is a reminder for patients that ‘you need to get up’ and for staff that this is the time to move those who cannot do so themselves.”

Local nursing home officials said their entire staffs are involved in the project, from nurses to administrators to housekeeping workers. Anyone who needs hands-on assistance gets help from the nursing staff, Yap said, while other employees can give verbal reminders to those who don’t need such help.

“It’s a team project,” Yap said. “That’s the innovative part of it.”

Officials said they vary the music so it doesn’t get repetitive or easy to tune out. Larimore-Skinner said her nursing home has played small bursts of everything from classical to country to holiday music.

Thompson and Larimore-Skinner said their facilities are doing well when it comes to pressure sores, and the study program may be one reason. Larimore-Skinner said none of her 49 residents have developed sores in the home, and Thompson said her facility, which has 115 residents, does better than the national average on pressure sores.

Both women said their homes may continue the practice after the study ends in April.

“If it works,” Larimore-Skinner said, “don’t fix what’s not broken.”

By Laura Ungar • lungar@courier-journal.com • December 31, 2010

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Are you bothered by tinnitus? Ringing in the ears is annoying!

December 31st, 2010 · Music Healing, Vibrational and Sound Healing

This is an article that appeared recently in the Wall Street Journal.  If you are bothered by ringing in the ears, I think you will learn some important information here. 

Some people hear a high-pitched buzzing sound. Others describe it as a ringing, roaring, hissing, chirping, whooshing or wheezing. It can be high or low, single or multi-toned, an occasional mild annoyance or a constant personal din.

Tinnitus—whose Latin root means “to jingle”—is defined as the perception of sound when no external sound is present. It usually accompanies hearing loss, and while no one knows for sure what causes it, many experts believe that when people lose the ability to hear in certain frequencies, the brain fills the void with imaginary or remembered noise—like phantom limb pain for sound.

“Those auditory centers are just craving input,” says Rebecca Price, an audiologist who treats tinnitus at Duke University Health Systems in Durham, N.C.

Tuning Out

A gadget designed to help patients filter out tinnitus.

  • Tha Oasis device from Neuromonics Inc. plays baroque and new-age music customized to provide auditory stimulation in patients’ lost frequencies as well as a ‘shower’ sound. Users listen to the program for two hours daily for two months, then the shower sound is withdrawn for four more months of treatment, gradually training the brain to filter out the internal noise, the company says.

Some 50 million Americans at least occasionally experience tinnitus, pronounced tin-EYE-tus or TIN-i-tus. And 16 million U.S. adults had it frequently in the past year, according to a new study by the Centers for Disease Control and Prevention. Some two million find it so disturbing that it interferes with sleep, work, concentration and family relationships.

The incidence is rising these days along with the aging population and personal music players cranked up high. “Now we have 12-year-olds complaining of tinnitus. We never had that previously,” says Jennifer Born, a spokeswoman for the American Tinnitus Association, a nonprofit education and advocacy group.

Tinnitus is also the No. 1 service-related disability among veterans from Afghanistan and Iraq, due to brain injuries from explosive devices.

While many sufferers are told there is no cure for their tinnitus, treatment options are proliferating. And brain-imaging studies are shedding new light on how some peoples’ brains are wired with unusual connections between the auditory cortex that governs hearing and the centers for attention, emotion and executive function.

“We have always wondered why some people find tinnitus so distressing. Now we can see it,” says Jay Piccirillo, an otolaryngologist at Washington University in St. Louis who is studying a new treatment for tinnitus that targets magnetic pulses at patients’ brains to redirect abnormal connections.

The first step in treating tinnitus is usually to determine if a patient has hearing loss and to identify the cause, which can run the gamut from ear-wax buildup to infections, accidents, aging, medication side effects and noise exposure.

“At least half of the time, if we can reduce the hearing loss, we can dramatically reduce the tinnitus or make it so that the patient doesn’t care,” says Sujana Chandrasekhar, an otolaryngologist in New York and chairman-elect of the American Academy of Otolaryngology-Head and Neck Surgery.

Tinnitus Reaction Questionnaire

Surgery may be helpful in some cases. Frank Scalera, a 42-year-old pipefitter in New York, had tinnitus ever since a firecracker blew out his eardrum at age 15. Ten surgeries have helped restore his hearing and reduce the ringing he’s heard for 30 years.

About 40% of tinnitus sufferers find relief with a regular hearing aid that restores sound in lost frequencies, so the brain doesn’t need to fill in the void. But some also have hyperacusis—in which normal sounds seem unbearably loud—so a hearing aid may be uncomfortable.

A variety of tinnitus treatments use sound therapy—soothing external sounds to drown out the ringing from within. Some people find relief by running a fan, a humidifier, a machine that mimics waves or waterfalls or even a radio tuned to static, especially at night when tinnitus is often most noticeable and frequently disrupts sleep.

Several brands of hearing aids also mix in soft “shhhsssing” tones to mask tinnitus sounds and help users relax. As with other hearing aids, they are rarely covered by insurance and can cost $2,500 or more per ear.

Another variation is the Oasis device by Neuromonics Inc., which looks like an MP3 player but plays baroque and new age music customized to provide more auditory stimulation in patients’ lost frequencies as well as a “shower” sound to relieve the tinnitus. Users listen to the program for two hours daily for two months, then the shower sound is withdrawn for four more months of treatment, gradually training the brain to filter out the internal noise, according to the company.

“You get used to hearing the music and then your brain fills in with sounds that aren’t as irritating,” explains Michael Gillespie, a Duke University political science professor who found the device helpful after an ear infection left him with tinnitus.

Dr. Price says she has used Neuromonics treatment with 30 patients, and 90% have had at least a partial reduction in their tinnitus awareness, similar to the company’s published data.

Cleared by the Food and Drug Administration in 2005, the Neuromonics device has been used by 4,500 patients in the U.S., Australia, New Zealand and Singapore. The cost—roughly $4,500—is rarely covered by insurance.

For some patients, it’s not the noise itself that’s so distressing, but the anxiety that comes along with it. Researchers long theorized—and have now seen on brain scans—that the limbic system, the brain’s primitive fight-or-flight response, is highly activated in some tinnitus sufferers. Patients often have generalized anxiety disorder or depression and a few become suicidal; but it’s unclear which came first.

Some patients find that antidepressants or anti-anxiety drugs can bring some tinnitus relief. Many find their tinnitus is worse during times of stress, so yoga, acupuncture, deep breathing, biofeedback or exercise—may also be helpful.

Ginkgo, zinc, magnesium and other supplements are often marketed for tinnitus relief, along with a bevy of over-the-counter products, but few have been evaluated scientifically. “There are a lot of people out there trying to capitalize on the desperation of tinnitus patients,” Ms. Born says.

 Neuromonics Inc.The Oasis.

The new magnetic pulse treatment—called repetitive Transcranial Magnetic Stimulation (rTMS)—seeks to break the tinnitus cycle in a different way. Researchers first conduct scans of patients’ brains. In people with severe tinnitus, “We notice that communication between parts of the brain responsible for hearing and maintaining attention are abnormal,” says Dr. Piccirillo. A magnetic coil placed over auditory cortex outside the head sends pulses through the skull and attempts to disrupt the faulty communications. Dr. Piccirillo likens it to shaking an Etch-a-Sketch to erase an old picture. “We hypothesize that given half a chance, the brain can establish more normal connections,” he says.

RTMS has been used for years with severely depressed patients, some of whom found that it also stopped the ringing in their ears. To patients, it feels like a mild tapping on the head and brings no harmful effects. One early study found that it had little benefit either compared to a placebo when used for 40 minutes, five times a week for two weeks. Dr. Piccirillo and colleagues are now studying whether using four-week rTMS sessions and higher energy is more effective. With a Defense Department grant, they are also scanning the brains of U.S. solders before and after deployment to see if those who develop tinnitus had unusual brain wiring that made them especially vulnerable.

One of the most effective treatments is cognitive behavioral therapy, which treats patients’ emotional reactions to tinnitus, not the noise itself. “The goal is to make your tinnitus like your socks and shoes—you’re wearing them, but you’re not actively thinking about them,” says Dr. Chandrasekhar.

Michelle Pearce, a psychologist at Duke University Medical Center, says she starts by getting patients to identify the automatic negative thoughts they have about their tinnitus. “Some patients say things like, ‘My life is over now.’ I had one who was convinced no one would want to marry her because of her tinnitus,” says Dr. Pearce. “Our work together was to realize that her life didn’t resolve around tinnitus; it was just part of her life.”

Indeed, some patients say learning to ignore the sound in their head is ultimately the most effective thing to do.

“It’s like living near an airport. After you’ve lived there for awhile, you don’t pay attention to the planes,” says Mark Church, an entrepreneur and investor who has tried multiple treatments for tinnitus that started 11 years ago. Still, he says, his favorite place is his shower, where he can’t hear it at all.

About Melinda Beck

As The Wall Street Journal’s new Health Journal columnist, Melinda Beck is returning to her love of reporting after a seven-year stint as the editor of Marketplace, the paper’s second section. Before joining the Journal in 1996 as deputy Marketplace editor, Melinda was a writer and editor at Newsweek magazine, and wrote more than two dozen cover stories on topics ranging from the Oklahoma City bombing to the O.J. Simpson trial to liquid diets and the dilemmas of long-term care. She’s always found covering health-care issues particularly exciting, as evidenced by awards she’s won for her stories from the Arthritis Foundation, the AARP, the American Society on Aging, the American College of Emergency Physicians, the National Institute of Health Care Management and the American College of Health Care Administrators. Melinda graduated from Yale University and lives in New York City with her husband and two daughters.

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One of my favorite Christmas Carols–hard to find!

December 12th, 2010 · Music and Emotion

  when I go to You Tube to find something, I never know how lucky I’ll get!  Tonight I hit the jackpot!  In previous years, all I could find would be the “Star Carol” by John Rutter, but that’s not the one I wanted.  Tonight I found the one that I used to listen to in high school, the one sung by Anna Maria Alberghetti.

Although the record is cracking and popping, you still get an idea of her clear, sweet voice.  It kind of reminds me of Julie Andrews in her younger years.  Hope you’ll enjoy it as much as I did.  Brings healing to me, in the form of memories of a more innocent time and place!

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The You-Tube Symphony: How does that work?

December 7th, 2010 · Announcements, Classical Music

The motley program the YouTube Symphony Orchestra will play at Carnegie Hall on Wednesday evening was devised partly to ensure every section a place or two in the sun. So after full-orchestral rehearsals at the Juilliard School on Monday — led by Michael Tilson Thomas, its artistic adviser and conductor, and Tan Dun, who composed a piece for the occasion — the orchestra split up starting at mid-afternoon for smaller sessions.

Stephen Paulson, a mentor, took a dozen players — mostly winds, a cellist and a bassist — next door to the Kaplan Penthouse to rehearse Dvorak’s wonderful Serenade for Winds, or part of it: a conflation of the first movement and the finale.

If the players thought they were doing well to get away from the painstakingly — make that painfully — detailed work Mr. Thomas had just been subjecting them to in a patch of the scherzo from Brahms’s Fourth Symphony, they may have had second thoughts. As principal bassoonist of the San Francisco Symphony, Mr. Paulson plays regularly under Mr. Thomas’s direction, and he evidently shares his work ethic.

Playing first bassoon here, Mr. Paulson led the mostly young players haltingly through the piece, shaping lines and sharpening rhythms everywhere and tending to the piece’s overall contour. Some laggard attacks suggested that a certain weariness might be setting in. (“I seem to be always the first person playing the second beat,” Mr. Paulson said. “See if you can play it right with me.”) If the players weren’t tired then, they probably were by the time the session ended, 10 minutes late.

And there was more for everyone to do on Monday evening. Seven youngish musicians — mostly percussionists, a guitarist and an okarina player — gathered in Juilliard’s Willson Theater to rehearse Lou Harrison’s “Canticle No. 3,” with Edwin Outwater, a Thomas protégé, conducting.

Or rather, increasingly, not conducting. First he had to win the confidence of the players. “If I don’t give you a cue, it’s better to hold up,” he told an overeager percussionist. “I usually don’t miss.” (On the other hand, you can appreciate the nervousness of a young player clanging on brake drums with metal hammers; it’s hard to paper over a false entry.)

But as the piece went on, with its extended stretches of tricky rhythms, Mr. Outwater found that things fell into place more quickly when he conducted minimally and had the players listen more closely to one another. “If I feel you guys are together,” he said, “I’m not going to interfere.” In the end he was offering little more than those all-important cues.

Many conductors entreat orchestra players to emulate chamber musicians, and listen to one another. Mr. Outwater put the matter into a formula, asking the players to listen 80 percent and watch 20 percent. “No conductor wants you to watch 80 percent,” he added.

Ted Atkatz — a former principal percussionist of the Chicago Symphony Orchestra, who popped in and out as mentor — concurred with Mr. Outwater. “We’re trying to get where we can just sit in the audience,” he said.

Well, he can, at least.

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Healing Music 101 studies music with preemies

November 14th, 2010 · Announcements, Music with Pregnancy and Childbirth, The Lullaby Effect

Every Sunday afternoon our Healing Music 101 class looks at a different aspect of healing with music. Today we talked about the tremendous benefits of music with preemies. These babies are so tiny that they actually can’t be touched very much. The harp music provides a sensory experience for the preemies and their caregivers that is gentle and nurturing and helps to stabilize their blood pressure and heart rate.

Beginning after Christmas, Healing Music Enterprises will begin a class for expectant mothers and other family members who want to learn more about music during pregnancy and the many benefit that are there for mother and unborn baby. If you’re interested in this class for yourself or a family member contact me ASAP as the list is already forming. Time will be decided once we have at least 6 people signed up!

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