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Yo-Yo Ma Knows the Healing Power of Music

March 14th, 2010 · Classical Music

In 1961, Pablo Casals played for John F. Kennedy at the White House. The concert could be seen as a symbol of the importance of the arts to the Kennedy administration, or as a gesture of honor to a great cellist.

But there’s no question, when the concert is re-created next year as part of the Kennedy Center’s tribute to the 50th anniversary of Kennedy’s inauguration, about who will represent Casals. When there’s a commemorative event that calls for classical music, Yo-Yo Ma is almost sure to be the person playing it.

In every generation, a few musicians reach a level of fame that takes them into an orbit beyond their art. They become iconic, like Pavarotti; they become spokesmen, like Bono; they come, at the very least, to represent their field to a wider public.

Ma, 54, has certainly reached this level. He’s one of the most recognizable classical musicians on the planet. Extroverted and smart, he’s a natural spokesman for the arts. It’s almost a matter of course that he represents classical music on the President’s Committee on the Arts and the Humanities and is a U.N. peace ambassador.

Ara Guzelimian, dean of the Juilliard School and former artistic adviser for Carnegie Hall, has known Ma since the 1970s. “I think in Yo-Yo’s case,” he says, “all of the things he does and his public role have helped keep reinventing him as a musician. That’s not only kept him alive, but fresh.”

“I just finished playing a bunch of recitals with him,” said pianist Emanuel Ax, one of Ma’s earliest and most frequent collaborators, speaking by phone last week from Europe. “I think he’s playing better than he’s ever played.”

If Ma weren’t a cellist, he could be a world-class politician. His gift for connecting with people is stunning. Some stars have a presence that commands attention; Ma, by contrast, makes you feel like his best friend, whether you’re an orchestra musician, one of the backstage crew or the owner of the restaurant Henrietta’s Table in Cambridge, a town where he and his wife, Jill Hornor, a German professor whom he met as a teenager at the Marlboro music school in Vermont, have lived for decades.

By Anne Midgette
Washington Post Staff Writer
Sunday, March 14, 2010 (excerpted)

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Using Music to Ease Patient Stress During Surgery

March 10th, 2010 · Music and Surgery

For as long as humans have pounded drums and plucked strings, listening to music has affected people’s sense of well-being, lifting their spirits and — as new research shows — calming their nerves. Literally. According to a study at Cleveland Clinic, music can slow the neuronal firings deep within the brain during surgery designed to treat Parkinson’s patients.

The seeds of this study were planted about two years ago, when a patient named Damir Janigro was being prepped for spinal surgery. Janigro, who is also a neuroscientist at the clinic, lay captive to the nerve-racking din of the operating room and in his frazzled state thought about how dentists often give their patients earphones to help ease anxiety. (See the top 10 medical breakthroughs of 2008.)

If people getting root canals merited a musical intervention, he thought, why not people undergoing brain surgery? Patients with conditions such as epilepsy, brain tumors, severe depression, and obsessive-compulsive and motor disorders like Parkinson’s have to be awake for surgical procedures that often take several hours. Janigro and his team decided to use that wakeful period to determine whether music made the subjects’ experience in the operating room less stressful.

He will present his findings on Oct. 30 as part of a symposium in New York City on music and the brain. The son of a world-renowned cellist, Janigro specializes in studying epilepsy and is associated with Cleveland Clinic’s Arts and Medicine Institute, which is working to advance our understanding of how music can do such things as help decrease pain and blood pressure and improve movement in Parkinson’s patients.

The medical community has long been interested in how the brain is affected by music. Historically, however, most research was linked to the cortex, the brain’s outer layer, which is associated with functions like memory, consciousness and abstract thought.

In those studies, neurosurgical patients, wide awake with their cortex exposed, listened to certain sounds and music. While their neural activity was being recorded, they told researchers how those selections made them feel.

Janigro wanted to perform similar studies on motor centers deep within the brain. Because music is often associated with movement — like tapping one’s feet — he theorized that music could be used to modify the activity of thalamic and subthalamic neurons, which are located in the same area where a neuronal pacemaker is implanted during deep-brain stimulation.

In Janigro’s study, more than a dozen neurosurgical patients, predominantly with Parkinson’s, listened to three musical selections — rhythmic music with no discernible melody (by Gyorgi Ligeti, of Stanley Kubrick–movie fame), melodic music with undefined rhythm (by Aaron Jay Kernis, a Pulitzer Prize winner) and something in between (Ludwig van Beethoven). In the later stages of the research, to prevent familiarity from swaying the subjects’ responses, music was specifically composed for the study by students from the Cleveland Institute of Music.

In the end, patients almost unanimously said the purely melodic offerings were the most soothing. But the recordings of their brain activity were eye-opening. (Read “The Year in Medicine 2008: From A to Z.”)

Listening to melodic music decreased the activity of individual neurons in the deep brain, says Janigro, adding that the physical responses to the calming music ranged from patients’ closing their eyes to falling asleep. Some patients even settled into a nice round of snoring. And when lead neurosurgeon Ali Rezai needed patients to perform an action, such as lifting a limb, during the procedures, he simply removed their earphones and relayed instructions. Once the music resumed, patients returned to their snoozing.

These are very desirable results, says Janigro. With the right music, he says, patients can be more relaxed in the operating room. And that relaxation may mean not only that procedures involve less medication — to control blood pressure, which increases with stress — but perhaps that patients have quicker recovery times and shorter hospital stays.

Janigro anticipates that following institutional approval, music will be used during certain neurosurgical procedures at the clinic as early as 2010. He hopes other hospitals will soon follow Cleveland’s lead. “This type of surgery can be a traumatizing experience, and using music can decrease anxiety,” he notes.

And you can’t beat the cost.

With health-care expenditures through the roof, this patient benefit is practically free, says Janigro, who used his own iPod and that of a colleague’s to pump in the music for the study. “The clinic doesn’t have a budget for iPods yet, but soon I think we will. It’s a no-brainer,” he says. “There’s nothing more calming than sleep.”
By Coeli Carr

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A Day with Music Therapy Pioneer, Clive Robbins

March 5th, 2010 · Music in the News!

A Day with Dr. Clive Robbins, Music Therapy Pioneer

This morning I had the distinct pleasure of spending a morning in a wonderful workshop at the U of L School of Music, listening to and learning from Dr. Clive Robbins, who has spent his life working with handicapped children and using music therapy to transform their lives. If you’re interested in learning more about him and his work with Paul Nordoff, go to http://www.nordoff-robbins.org.uk/

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Anesthetists’ Hymn: Humor, not serious!

March 3rd, 2010 · Music and Dental Surgery

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Surgical Serenity Headphones FAQ

March 2nd, 2010 · Music and Surgery

The headphones have been on the market for almost a year now and I’m selling them (and the download) primarily to individuals.  Once the data is gathered and the proof of their efficacy is undeniable, I will begin marketing them to hospitals and surgical centers, in earnest. 

What I’ve noticed so far is that certain questions come up over and over.  I thought I would share them, and my response, with you now.

FAQ’s for Surgical Headphones
1.  Q.  Why do I need to get your surgical headphones?  Why can’t I just use my iPod?
     A.  Of course you can use your iPod (if your surgeon agrees).  The main reason to use my headphones is that there are no wires or cords to get in the way of medical devices being used and more importantly…the music has been especially chosen and sequenced by a clinical musicologist who has been studying what the best music for surgery is for 20 years!
2.   Q How do the headphones fit on my head?

      A The headphones fit behind the neck and hook over the ears. Both earpieces are padded and the headset is very comfortable.

3.  Q  Can the headphones also be used at home?

     A.  Absolutely! The headphones can be used anywhere, including outdoors, during exercise of any kind, or in bed.

4.   Q.  Can I change the music on the headphones later if I want to put some of my favorite music on them?

      A.  Yes you can.  You can completely remove the surgery music or you can leave it there and add 6-8 more hours of your own favorite music for relaxation, energizing, exercising or whatever you wish.

5.  Q.  Will the headphones be sterilized before surgery?
     A.  Your headphones will be brand-new when you receive them and won’t need to be sterilized.  You will probably try them out several times before your procedure to be sure you now how to turn them off and on as well as recharge them.  You might want to wipe them down with a disinfectant before you arrive at the hospital, but nothing else is necessary!

6.  Q.  How soon should I order them before my procedure?
    A.  It’s a good idea to order them as soon as you know you’re having surgery so that you can get familiar with them and even listen to the music numerous times.  However, they are very easy to operate and all you really need to know is how to turn them on.

7.  Q.  How long will the music play?
     A.  The music will play for 7-8 hours without needing to be recharged!  The surgery track is about an hour long and will repeat continuously until they are turned off!

I’m sure there are many more questions you might have, and feel free to contact me through the comment option on this blog or from my website http://www.healingmusicenterprises.com/

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The Brain and Music: A Therapeutic Duet

February 23rd, 2010 · Music and the Brain

“Zip-a-dee doo dah, Zip-a-dee-ay …”

–A. Wrubel, R. Gilbert

“Do-wah diddy-diddy dum diddy-do …”

–The Moffats

“Super-cali-fragilistic-expialidocious …”

–The Sherman Brothers

“What an odd thing it is to see an entire species–billions of people–playing with, listening to, meaningless tonal patterns, occupied and preoccupied for much of their time by what they call ‘music.”‘

–Oliver Sacks, Musicophilia

“Music is playing inside my head, I Over and over and over again, My friend, there’s no end to the music …”

–Carole King

Throughout human history and in all known cultures, people have been immersed in music. Humans passionately create, listen to and dance to it. We Americans, most of whom have no particular musical talent, spend hours daily listening to music on car radios and MP3 players, and as background in offices, homes, TV shows and movies.

The fact that music is such an integral part of being human raises intriguing questions, some of which are relevant to MS. Does the brain have specific regions that respond to music? Could people who have conditions that affect the brain, such as MS, obtain therapeutic effects from music?

The neuroanatomy of music

Music is experienced through the simultaneous activation of a remarkable number of brain regions. Listening to music involves two major processes–perception and emotional response. Through perception we recognize music’s physical characteristics–the rhythm, harmony and tone. Our emotional response evokes feelings–sadness, happiness, relaxation and more. The two processes, perceiving and feeling, activate multiple brain regions that are interconnected through complex and vast networks. They range from the front of the brain (frontal lobes) to the back (cerebellum), from top (motor cortex) to the bottom (amygdala), and from outer surface (auditory cortex) to the inner core (nucleus accumbens and hippocampus). Creating or dancing to music activates an even greater number of brain regions.

Importantly, perceiving and feeling music are two distinct processes. For example, there are people who are gifted at perceiving music, such as those with absolute pitch, but who are indifferent to its emotional effects. The reverse is true as well (and is more common)–there are many people who have little or no musical talent, including those who are tone-deaf, who are passionate about music. In other words, you don’t need to be musical to be strongly affected by music and potentially to benefit from its therapeutic effects.

Why do we like music?

“I know it’s only rock ‘n’ roll but I like it, like it, yes I do …”–The Rolling Stones

The widespread activity in the brain that music arouses suggests that music serves a critical role in human existence. Some have proposed that music actually preceded language in human evolution, thus making it a core characteristic or instinct. There is considerable evidence that music is involved in sexual attraction, especially for men trying to attract women. (However, playing the clarinet in my high school band didn’t seem to make me a chick magnet.) Music may, in a more general sense, promote social bonding and may also be important for cognitive development.

Music as medicine: studies in MS and other conditions

“‘Cause music’s been my therapy, Taking the pain from all my anatomy …”–Marvin Gaye

“Music is the medicine of the mind.”–John Logan

It is thought that music may act as a sort of tonic or jump-starter to activate or improve neurological function. MS may be particularly well-suited to respond to music therapy. Each person with MS has a unique collection of brain lesions that produces a unique collection of symptoms.

Music may be capable of accessing diverse brain regions in an individualized way.

Researchers have studied music therapy in MS and other neurological conditions, but most of the studies done so far have had limitations, such as small numbers of participants. Even so, it appears that music might alleviate a remarkably wide range of MS-related symptoms:

* Stress (music may be combined with other relaxation strategies-see Summer 2009 Momentum)

* Emotional problems such as anxiety and sadness, and difficulties with self-esteem, self-acceptance and coping

* Cognitive issues, including problems with memory, speech, or communication

* Weakness, poor coordination and walking difficulties

* Pain

To determine whether music therapy has definite therapeutic effects in MS, larger and more rigorous studies are needed.

What can you do now?

Music therapy is generally safe. The only precaution is that excessive noise (greater than 90 decibels) may increase blood pressure and impair hearing. Although studies of music in MS are limited at this time, music is readily available, and for those who are interested, it is certainly a reasonable approach to try. Music may be pursued on one’s own or by consulting a professional music therapist.

Examples of approaches to try on your own include:

Listening

* Although many people listen casually, it may be helpful to be more thoughtful about the types of music one chooses and to be more attentive to them.

Creating music

* Play an instrument.

* Make simple movements, such as tapping a drumstick, along with music.

* Join a chorus or choir.

* Even if you’re not musical, have a jam session with friends.

Moving or dancing

* Take dancing lessons.

* Just dance or move parts of the body to music.

Additional Information

Two outstanding lay books on music and the brain have been published recently:

* Musicophilia, by Dr. Oliver Sacks (New York: Alfred A. Knopf, 2007).

* This Is Your Brain on Music, by Dr. Daniel J. Levitin (New York: Penguin, 2006).

by Allen C. Bowling, MD, PhD

Suzanne Darley, MA, REACE, reviewed and provided valuable input to this article.

Dr. Allen C. Bowling is the medical director of the Multiple Sclerosis Service and director of the Complementary and Alternative Medicine Service at the Colorado Neurological Institute. He is also clinical associate professor of Neurology at the University of Colorado-Denver Health Sciences Center and author of Complementary and Alternative Medicine and Multiple Sclerosis (2nd edition, Demos Medical Publishing). For more on CAM, visit his Web site, NeurologyCare.net.

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Advances in Surgery and Anesthesia

February 20th, 2010 · Music and Surgery

Yes, there was a time when things were done very differently in surgery.  Some of these tools pictured here were downright barbaric!  But today, things are done very differently.  Today doctors and patients alike know about the benefits of music during surgery.  We are much more aware of the dangers of too much anesthesia and about the fact the adding music to the anesthesia mix can help decrease the amount of

anesthesia needed, thus leading to a safer procedure and a faster recovery!   If you or anyone you know is preparing for surgery, please let them know about the Surgical Serenity Headphones and the Surgical Serenity Download.  The download is immediate, of course, but the headphones can be overnighted anywhere in the U.S. and expedited to anyplace in the world!  Give yourself and your family members the safest surgical experience by tapping into the “relaxation response.”

 

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Live Music in Operating Room, found to be beneficial

February 19th, 2010 · Music and Surgery

By Helen Altonn
haltonn@starbulletin.com

Classical music played on a piano in the operating room for 115 patients having eye surgery at the former St. Francis Medical Center-Liliha had “profound” physical benefits, it was reported today.
The music lowered the patients’ blood pressure and heart and respiratory rates before any sedation or pain medication, according to a paper in the Medscape Journal of Medicine, a Web resource for physicians of peer-reviewed medical journal articles.

Dr. Jorge Camara, a classically trained pianist and ophthalmologist, played music for patients before surgery as part of a study from May to August 2005 to demonstrate the medical benefits of music.

The classical and semi-classical pieces ranged from Debussy’s “Arabesque No. 1 in E Major” and Chopin’s “Etude in E Major, Op. 10 No. 3,” to “The More I See You,” by Harry Warren and Mack Gordon.

The patients, 49 to 79 years old, were having surgery for the first time. The study reports average decreases of 21 percent in their blood pressure, 8 percent in heart rate and 21 percent in breathing rate.

“This sentinel paper validates the growing evidence that listening to relaxing music has profound beneficial effects on the physiologic functions of the human body,” said Camara, director of ophthalmology in the Department of Surgery, University of Hawaii John A. Burns School of Medicine.

He believes it’s the first study in which a surgeon performed on a piano in an operating room for patients before surgery.

When Camara began the project, Samuel Wong, former Honolulu Symphony music director, and Arthur Harvey, former University of Hawaii music professor and researcher, joined him in playing the piano for patients.

A total of 203 patients underwent ophthalmologic procedures when the piano was in the operating room, but 88 had no music played. The result was “a statistically significant increase of their mean arterial blood pressure, heart rate and respiratory rate,” the study found.

Co-authors of the paper, “The Effects of Live Classical Piano Music on the Vital Signs of Patients Undergoing Ophthalmic Surgery,” are Joseph Ruszkowski, Kamehameha Schools music teacher, and Dr. Sandra R. Worak, a research fellow trained by Camara now working in the Philippines.

No complications were associated with the music, and patients “were very happy their doctor was playing the piano for them,” Camara said in an interview.

He said Kahala painter Laurie McKeon, 57, one of the patients who heard live music, wrote about the experience, explaining how scared she was to have surgery and how the piano music made a huge difference.

She wrote: “The music soared above me, swirled around me. It penetrated through my pores, beyond my ears, past my mind and somehow, into my heart. I felt at peace. I felt safe. I felt like everything was going to be just fine. And it was.”

Camara no longer has live piano music in his operating room but patients hear a recording of him playing the piano. He is past president of the Aloha Medical Mission and has given three piano concerts to benefit the organization at the Neil Blaisdell Concert Hall.

Citing growing interest in the medical benefits of music, he said, “So much more has to be studied,” such as the effect on male versus female patients and rap music versus relaxing classical music. “This is only the beginning of a journey that will open our eyes to the wonderful potential of music for healing,” he said.

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